Metal, Hardcore, Punk, Death Metal, Thrash Metal... whatever

Metal, Hardcore, Punk, Death Metal, Thrash Metal... Qwerty and miserable, always wanting more.
Showing posts with label hardcore shows. Show all posts
Showing posts with label hardcore shows. Show all posts

Friday, July 21, 2017

Apocalypse '97

In the spring of 1997, I realized that the scene I was involved in was in a really great position. Bands were touring and releasing records; and not only national, but ALSO local shows were generally well attended and exciting. Buffalo, NY had suffered a down swing in show turnouts a few years prior, with a lot of shows happening about 30 miles north of the city in Lockport, but by early 97 things were really good, everyone got along and most shows were at Discovery records, the Mercury or Showplace Theater(s).

Snapcase had been around for 7 years at that point and had brought a lot of newer, younger kids around, breathing fresh life and injecting new ideas into an otherwise rigid scene. Despair had kept around some of the older guys, Union brought the straight mosh, Lockjaw brought the weird mosh and Envy brought the fun. Also, the band I was in at the time, No Reason, was doing way better than expected with a well received 7” and two demos under our belt at the time. Even newer bands seemed to be holding it down- it was really a thing to behold.

Inspired by the insane "all local" line ups of the early 80’s DC hardcore scene, I thought it would be a good idea to do a show that was all the Buffalo Hardcore bands who were “making it happen.” It came together a lot easier than I thought it would, mainly because everyone in Buffalo at the time was feeling the same vibe; things were good. Most importantly, Snapcase were on board to be the “surprise” headliner.  Despair committed to play and realized that it fell during one of their tours and miraculously did a 20 hour drive straight from Denver, CO to make the show. It all worked, even after the show got moved from the planned Discovery Records to the Mercury Theater and the club owner, Dan, and I began butting heads over it and his security; which reared its head again the following year when I did another show there.
The show was also Envy's record release for their LP
I can’t believe that it’s been 20 years. I honestly believe that the Buffalo scene was never that strong again, with so many quality bands releasing records and touring and inspiring people to come out to shows and join in. It was a rare occasion were multiple bands were having success in a very small city, instead of one, maybe two bands being able to draw. There was a brief heyday with the Funeral Home a few years back, but that revolved around a PLACE I think more than bands per se. I hate that I'm posting an all "rainbows and balloons" nostalgia post, but really, it was an incredible time to be involved. I've had my ups and downs with the hardcore scene I grew up in, but I have always been proud to have been a part of it and especially proud of this show.

All photos by Mark Miller

Counterstrike (these kids were all like 14-15)

Counterstrike

Counterstrike

Lockjaw

Lockjaw

No Reason

No Reason

No Reason

The Author playing in No Reason

No Reason

Union
Envy

Despair

Despair

Despair

Despair

Snapcase

Snapcase

Snapcase

Snapcase

Snapcase

Monday, July 3, 2017

18 Years ago today...

...I saw this show and it was a stunner.
From the "early" show:

From the "late" show:



Photo by Mark Miller

Photo by Mark Miller

Tuesday, June 29, 2010

No Mom, It's a sleepover: my first real hardcore show

My parent's weren't the most strict, but it seemed like until I was 17, they really weren't too keen on me participating in the music scene I felt a part of. Maybe once every two or three months, I could garner the permission to go see Overkill or Cannibal Corpse or Sacred Reich but for the most part, they shot me down. When they denied me a Testament/ Wratchild America show I REALLY wanted to go to, I decided that it was best to cut them out of the process completely.

In the waning days of 1990, my friends and I took a trip to Home of the Hit and found out a devastating all NYHC bill (with local heavy weights ZT opening) was coming at the start of the new year. Slyther, local scene guy and record store clerk, gave us the details and explained to us that the Biohazard record, a band we had never heard of, was already something people were really talking about. We all knew Agnostic Front were legends, we had their most recent release: "Live at CBGBs" and loved it. Sick of it All's "Blood, Sweat and No Tears" got a lot of rotation in our friend Jeff's (our personal chauffeur) car. ZT were the local heroes. This show was a MUST SEE, even if I had no idea who No Joke was, at the time.
I wasn't going to chance that my parent's wouldn't allow me to go and a plan was enacted. I would spend the night at my friend Greg's house and all was set, although the night before, our plans were almost ruined.

Jeff, Bob and myself were coming home from the mall on January 4th and it was snowing pretty hard. Jeff took a turn too sharp and BLAM we ended up jumping a curb, bending the rim to his front tire and getting stuck in the grass/ ice for hours. I remember walking to a shitty motel on River Road and convincing the owner to pull us out with his pick up. I also remember Bob flipping off the cop who stopped to help us out; of course, he did this every time the cop turned around so it was enough to get a punk rock half- point, but not enough to get us arrested. The next day, Jeff almost didn't find a rim at the junkyard, but at 6, he did and with just enough time to spare, we all piled into the aptly named "Skylark of Death" and headed off to the show, with Bob in the trunk, I should add. We parked and waited in line for a long time on the winding stairs that led up to the Skyroom.

Going to shows almost 20 years ago was much different than it is today. There were hardcore kids, skater kids, nazi skinheads, metal heads, punks, weirdos and all other types with us in that stairwell. I should also mention there were hardly any girls. I should point out that that is the BIGGEST difference between then and now. After the "alternative music" boom in the 90's more and more woman came around to check out shows. Hey, I'm not complaining, I'm just saying that's how it is.

No Joke played first and were terrible. I saw them many more times opening shows over the next 3 years or so and they never impressed me. But they did leave an impression, as all the singer Justin would talk about how nobody was dancing for them and that it must be because of the blizzard-like weather.

Zero Tolerance played second and blew my mind. This was my first time seeing them and although I had a tape of their recent tracks and their "bad Blood" record, those recordings did them no justice. They were a live powerhouse! I'm glad that not only did I get this introduction to them, but that I saw them 5 more times before their demise in '93. This is a band that should be legends and hopefully their "Fuel the Fire" ep that just came out on vinyl through Reaper Records; 19 years after its initial release, will help solidify that.

Sick of it All became my favorite hardcore band of the time that night: the energy and passion they exuded was massive. They not only played pretty much all of Blood, Sweat and No Tears, but a new song and a Minor Threat cover, both of which came out on the "We Stand Alone" ep a week later. Which I, of course, went to Cavages at the mall and bought. ON CASSETTE.

Agnostic Front were kind of a disappointment. They sounded bad and used almost the same banter as the live album I spoke of earlier. I guess they did this because they thought it's what we expected? I don't know. I remember thinking they were ok, but the REAL disappointment was them playing for only 25 minutes (the show started late) and they didn't play "Anthem" my favorite song of theirs. Looking back on my 20 year of show going, Agnostic Front have kind of been a disappointment nearly every time I've seen them (10 times) except once. One time the stars aligned properly for them and I was satisfied. Still, a 10% success rate isn't that good. I'm just glad I got to see them, when I did and where I did.

My parent's never questioned that I wasn't just sleeping over a friend's house and with the successful "wool-pulling" over my parent's eyes, I concocted more tales to be able to go to shows. Like for instance when, 2 months later, on a school night, I went with a girl named Kim to see Fugazi and Quicksand telling my parent's it was a "date."

Thankfully, a mere week after the Fugazi show, I turned 17 and they loosened the reigns a little. Which is good, because I was running out of things to tell them.

Wednesday, June 23, 2010

Integrity, the west side and me: a review of The Blackest Curse


When I was 17, I listened to what seemed like a million bands. The only requirement of these bands was that the music was what used to be called "underground." Sadly, this term was widely replace with "EXTREME MUSIC" in the 90's at some point, but I'm already getting off track. Anyway, the summer of 1991 lead me to a show in a terrible neighborhood in the west side, in the lower level of a house, converted into a rehearsal hall. Discontent and the Watchmen were both great Buffalo hardcore bands whose 7"s/demos I enjoyed. Beyond Death were a lyrically offensive (bald pussy posse, etc) crossover band with more death metal in their veins than anything. But I could see those bands nearly anytime, what I really wanted to see was Integrity: I had the "In Contrast of Sin" 7" and thought it was great. I hadn't been going to hardcore shows for very long and this show in a neighborhood with roving gangs of 12 year old Hispanic and black kids with baseball bats/ tire irons (yes, I saw this)just added to the excitement to see Integrity. I should also mention that they never showed up.

With all the times I have seen Integrity since and the numerous break ups, self parody and recent online fan championing, it is nice that Integrity has shown up on "The Blackest Curse." Leading off this new slab of Integrity wax is "The Process of Illumination." Musically it sounds VERY close to classic Integrity. Vocally/ lyrically however, there is nothing truly to pick out. There's surely a lot of yelling and it's intense, but there's no lines jumping out at you that would inspire one into participating upfront like their earlier records. "Through the Shadows of Forever" is an improvement in that department, but overall what jumps out at you with The Blackest Curse is not the vocals at all, it's the riffs and intensity. There are moments where they fully embrace an early Slayer-esque style, some gnarly fast soloing and pit inducing, and for lack of a better word, breakdowns. "Before the World was Young" is a long, slow brewing song with hints of Metallica, wait is this an Integrity record? Yes, it is.


Integrity, to me anyway, always seemed like it was stylistically one part Judge, one part Slayer, one part Cro-Mags and one part Metallica; A metallic influenced hardcore band infused with intense darkness. I think that now their best described as a hardcore influenced metal band infused with intense, yep you guessed it; darkness. Semantics probably, but gone are the really noticeable hints of Judge and the Cro-mags, but remaining are the heavy handed touches of Slayer and Metallica. This is not a complaint. Integrity in 2010 is a very different animal than it was in the 90's and I expect wiggle room with member changes and the fact that singer Dwid lives in Belgium, whereas the rest of the band resides in Cleveland and elsewhere.


The Blackest Curse is a satisfying record. Not only in the sense that it mostly sounds like an Integrity release, but that its intensity borders on sheer brutality at times. Sure, there's no Melnick brothers and no real "sing along moments" but this is a record that would make great background music when a 12 year old is beating the fuck out of your car with his bat.